“Fragility and transience are key themes in Enkhtur’s practice. His frequent use of organic materials like clay and beeswax [..] questions the nature of sculpture, understood here, according to the exhibition literature, as the ‘representation of matter’. What remains once the artist’s works deteriorate, exposed to air, light and time? Is there an essence, a soul even, that endures when the piece eventually disappears, or is everything destined to be forgotten?”